This study sheds light on the diplomatic spaces and their characteristics in African literature and the extent to which creative literature works as a multidisciplinary tool for qualitative change. The theoretical framework and methodology fall on intertextuality, relation of a text in constant dialogue with other texts and Marxist Criticism in line with class awareness and responsibility issue. Thus, the reading of our corpus text accounts for the identified aesthetics and functions in line with the way people negotiate both with life and with author people in literary diplomacy. Light has been shed on diplomatic constructs available in the corporal creative text for socio-political uses. With a focus on the constructs, the study has found that creative literature in Africa constitutes a whole spectrum of curative and preventive diplomatic strategies for the balanced development of African societies.